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Rachel Bruerville

Composer | Cellist | Singer | Writer
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From Instagram ♫
@rachelbruervillemusic

Under the Fig Tree has been out for one month today! 🌳

Zooming in on the amazing artwork by @lucytimbrell_artist and @mandwillow once more... when Lucy requested Larry to model for the cover back in March, here are my attempts of getting a photo of
Social media catch up – Larry for attention – links in stories 🐈‍⬛ 🌳 

1. Steph from @cutcommonmag published a beautiful Q&A with me about Under the Fig Tree this week!

2. ‘Song of the Wombat’ played by @schillerjac
August 8th – happy international cat day to those who celebrate!

(Let's not mention Andrew Lloyd Webber) 

📷: Rachel at @jof.cafe with cello wearing ridiculous cat jumper; Rachel's back showing close-up of ridiculous cat jumper; Hilary, Rache
Under the Fig Tree has been out for FIVE DAYS! What's your favourite track? 

I've heard from Hilary and Chloe that 'For Hilary' and 'For Chloe' are their favourite tracks respectively, so that's a relief 😆

ALSO – this Friday 1 August is 'Ban
RELEASE DAY! Listen wherever you get your music 🌳🎶

ACKNOWLEDGEMENTS

First Nations people have been making music on this Country for thousands of years. I acknowledge that I make music on unceded Kaurna Country, and I pay my respects to Kaurna Eld
Full album. Release day. Tomorrow. Argh. 

@chloebruerjones @jof.cafe 🌳🎶

Why I’m no longer ticking the ‘emerging artist’ box

September 20, 2024

Dear reader, 

I would like to officially announce, here in writing, that I have ‘emerged’ as an artist. 

Yep, from today onwards, I am declaring myself an established composer of music.

Done!

Read more here: https://www.cutcommonmag.com/why-im-no-longer-ticking-the-emerging-artist-box/

Photo by Frank Lynch from Josh Belperio’s farewell concert, Songs for Crossing the Seas, July 2024

← Under the Fig Tree – Music for serenity, strength, and joyHow a new Adelaide festival will celebrate the “living tradition of chamber singing” →
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© Rachel Bruerville

hello[at]rachelbruerville.com 

First Nations people have been making music on this Country for thousands of years. I acknowledge that I make music on unceded Kaurna Country, and I pay my respects to Kaurna Elders past and present. I seek to listen deeply and respectfully.