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Rachel Bruerville

Composer | Cellist | Singer | Writer
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From Instagram ♫
@rachelbruervillemusic

Tomorrow night, @adelaidechambersingers celebrates our 40th anniversary with a concert at @stpeterscathedraladelaide, and one of my pieces is on the program! 

Locus Iste was originally commissioned by Leonie Hempton for the St Peter’s Cathedra
Belated acknowledgment post – the one and only Hilary Bruer (my amazing mum!) retired from the Adelaide Symphony Orchestra last month!!! 

(But how? She’s so young!)

In fact, it’s been an almost FORTY-YEAR career as a professional
TL;DR summary: I have two ‘new’ pieces for upper voices available for sale on SingScore, please read on for the whole context 🎉 

Back in the pandemic before-times, I was very fortunate to be supported by @carclew and @youngadelaidevoice
COMA – Creative Original Music Adelaide – have recently announced their Spring 2025 Season at the Wheatsheaf Hotel, which includes me as Featured Composer 🎉

Save the date: Monday 1 December, doors open at 6.30pm, music begins at 7pm!

'
Under the Fig Tree has been out for one month today! 🌳

Zooming in on the amazing artwork by @lucytimbrell_artist and @mandwillow once more... when Lucy requested Larry to model for the cover back in March, here are my attempts of getting a photo of

Why I’m no longer ticking the ‘emerging artist’ box

September 20, 2024

Dear reader, 

I would like to officially announce, here in writing, that I have ‘emerged’ as an artist. 

Yep, from today onwards, I am declaring myself an established composer of music.

Done!

Read more here: https://www.cutcommonmag.com/why-im-no-longer-ticking-the-emerging-artist-box/

Photo by Frank Lynch from Josh Belperio’s farewell concert, Songs for Crossing the Seas, July 2024

← Under the Fig Tree – Music for serenity, strength, and joyHow a new Adelaide festival will celebrate the “living tradition of chamber singing” →
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© Rachel Bruerville

hello[at]rachelbruerville.com 

First Nations people have been making music on this Country for thousands of years. I acknowledge that I make music on unceded Kaurna Country, and I pay my respects to Kaurna Elders past and present. I seek to listen deeply and respectfully.