• Home
    • Vocal Music
    • Instrumental Music
    • Current
    • Past
  • Blog
  • Contact
Menu

Rachel Bruerville

Composer | Cellist | Singer | Writer
  • Home
  • Music
    • Vocal Music
    • Instrumental Music
  • Projects
    • Current
    • Past
  • Blog
  • Contact

From Instagram β™«
@rachelbruervillemusic

Belated acknowledgment post – the one and only Hilary Bruer (my amazing mum!) retired from the Adelaide Symphony Orchestra last month!!! 

(But how? She’s so young!)

In fact, it’s been an almost FORTY-YEAR career as a professional
TL;DR summary: I have two ‘new’ pieces for upper voices available for sale on SingScore, please read on for the whole context πŸŽ‰ 

Back in the pandemic before-times, I was very fortunate to be supported by @carclew and @youngadelaidevoice
COMA – Creative Original Music Adelaide – have recently announced their Spring 2025 Season at the Wheatsheaf Hotel, which includes me as Featured Composer πŸŽ‰

Save the date: Monday 1 December, doors open at 6.30pm, music begins at 7pm!

'
Under the Fig Tree has been out for one month today! 🌳

Zooming in on the amazing artwork by @lucytimbrell_artist and @mandwillow once more... when Lucy requested Larry to model for the cover back in March, here are my attempts of getting a photo of
Social media catch up – Larry for attention – links in stories 🐈‍⬛ 🌳 

1. Steph from @cutcommonmag published a beautiful Q&A with me about Under the Fig Tree this week!

2. ‘Song of the Wombat’ played by @schillerjac

We have to keep going

December 14, 2021

As a freelance musician, who also has regular office hours each week, I am very used to juggling many things at once. However, I have never felt as utterly depleted from project to project as I have in the past six months.

https://www.cutcommonmag.com/we-have-to-keep-going/

← Composing a β€œmoderately festive” Australian Christmas carol for our timesThis is why artists need access to free mental health support →
Back to Top


Β© Rachel Bruerville

hello[at]rachelbruerville.com 

First Nations people have been making music on this Country for thousands of years. I acknowledge that I make music on unceded Kaurna Country, and I pay my respects to Kaurna Elders past and present. I seek to listen deeply and respectfully.